Painting through the National Parks

Painting the National Parks: Sequoia Roots

Sequoia Roots buy on Etsy

This week I continue my art journey – painting through America’s National Parks- I decided to paint Sequoia National Park.

I planned a trip to Sequoia prior to the pandemic that was cancelled. I planned the trip over several months so while I’ve never been to Sequoia I feel as though I visited the park (at least in spirit).

I will be blogging about ‘Sequoia’ soon on my sister blog American Nomad…in the meantime check out this awesome factsheet about Sequoia – the land of Giants

Painting Sequoia was challenging because the trees are towers of ancient forests – that converse with the sky. Building perspective when the tree cannot fully fit on the canvas was difficult. I studied numerous reference photos and decided to create my painting as an ode to the forest – focusing on the reddish/brown hues and thick trunk with distant trees in the background.

I started this painting with an grounding color of unbleached titanium (one of my favorite blending colors) and raw sienna and burnt umber.

A grounding color does several things:

  1. A blank canvas (with gesso): When I first started painting I would sketch out my image with watercolor pencil then start painting the colors directly on the canvas (as they appear in my reference photo). This always was a struggle because the paint wouldn’t adhere well with the first coat to the canvas. I’d end up using lots of paint and it would be clumpy -not a great look. I tried adding more gesso, but that could make the canvas texture too thick.
    • I learned from Ginger Cook that acrylics bind well to one another, so a grounding layer helps to build your painting.

2. It also ensures that you don’t have any ‘white gaps’ underneath your painting that appears unrealistic.

From there I began to build the ‘King’ Sequoia, layer after layer – constantly looking at the lighting and values in my reference photo.

Details are important, but in my current art journey I really am looking at the values (light and dark); color quality and trying to match that and adjust as needed.

This painting took about 3 hours to complete. A common misconception new artists (or non artists) think is that just because a landscape or painting is impressionistic or more open with brushstrokes – it is simple to paint.

I actually find my landscapes with their open brushstrokes take longer than some detailed paintings just because you really lean into the layers and details of the colors and you are constantly adding small touches.

Landscape painting is like a walk through Sequoia National Park – you don’t need to rush. It is meant to slow you down and be relaxing.

Paint supplies: I use a variety of paints and brushes in my paintings depending on the subject.

I’ve said this on a previous post but you must absolutely invest in quality supplies – yes I understand the cost of supplies is a lot for a beginner – I learned the hard way you’ll spend way more if you start off with cheap supplies. Why? The paint is watered down -so you will have to use a lot more paint to get the same results – so you will run out of paint quickly.

  • The brushes are key – I found my early paintings key have stray brush hairs) and no matter how much paint I put on the brush it wouldn’t spread on the canvas.
  • I had to purchase new brushes at least twice a month – they’d die a quick death – even with good soap and water.

For new painters(and seasoned pros):

  • I really love Liquitex and Liquitex Basics
  • Jerry’s Artarama Soho Paint does well for foundational and accent colors
  • I also love Golden, Lukas, Windsor and Newton Paints, Amsterdam for day to day professional use.
  • There are lots of great brands, but just make sure you are purchasing professional paint.
  • Your local art supply store can help – or watch tutorials by Ginger Cook and The Art Sherpa who break this down in some of their tutorials.

Brushes:

I typically use Silver Brushes – they are may favorite because they smoothly cover the paint and I have good control with the brushes. I also like Princeton, Raphael and I use Soho (Jerry’s)

I usually purchase from Jerry’s Artarama or The Brush Guys; Dick Blick is recommended too

Helpful resources:

Art Sherpa and Ginger Cook great online videos and resources

Thanks for supporting Adele Lassiter Creative by purchasing my art on Etsy

Painting through the National Parks, Uncategorized

Painting the National Parks: Shenandoah

Check out the story behind this impression of Shenandoah National Park on my sister blog Adele Lassiter – American Nomad

I love mountains, and The Blue Ridge Mountains have a piece of my heart. I am always drawn to the vast rolling jagged hills of the Blue Ridge. One of the most stunning tracts of Appalachia is in Virginia’s Shenandoah National Park.

Located only 75 miles from DC, this oasis of pastoral beauty is flanked by the Shenandoah Valley to the west and the Piedmont to the east. This land is steeped in history and is a place that time seems to have forgotten. Here to can hike 500 miles of trails and enjoy scenic vistas on the Skyline Drive.

I knew I wanted to paint an image inspired from my time in Shenandoah, but struggled with which image to select. I decided to paint a scene from the Stony Man trail – where the rocks appear like a shipwreck against the mountains – windswept and undaunted.

Shenandoah is known for is vast valleys, mountain passes, but the rocks again the lush landscape are my favorite scenese.

I wanted this to be a fluid painting. When you look at a Blue Ridge vista it is so sweeping details run together into a montage of color and light.

I focused on values and making the focal point of this painting the rock.

To learn more about Shenandoah National Park click here

To support my art (so I can keep painting – buying art supplies) – consider purchasing an original painting on my Etsy page.

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Painting the National Parks: California Vistas

Prior to COVID-19, my mom and I were planning an action-packed 10 day trip to Yosemite and Sequoia and King’s Canyon National Parks. June 2020…it was our dream trip and unfortunately with the pandemic we had to cancel. Losing out on the trip is not a huge loss, given the burden COVID has caused. One thing that helped me during the pandemic has been painting and connecting with other painters virtually during lockdowns and social distancing.

Even if COVID has upset past and present travel plans, ART has a healing power and we are blessed to have the ability to watch live videos of scenic nature (YouTube has hours of scenic videos of our National Parks – enabling the homebound to enjoy the scenery from afar).

I still have my stack of Yosemite guidebooks on my shelf and hope to make the trip in 2023. The reservations are so crazy now to get in the park – we are looking to visit South Dakota this year.

While I am valleys and mountains apart from Yosemite and California’s National Parks, I can imagine myself in the wilderness, in the shadows of Sequoias and vast mountain valleys and vistas.

I’m still painting my way through California’s parks, but wanted to share my progress so far….

All art is available on Etsy

Yosemite National Park:

The tunnel view vista of the Yosemite Valley is one of the most iconic images in America. Photographers and painters from Ansel Adams to Albert Bierstadt have tried to translate the natural beauty of Yosemite into art. God’s artistry in nature is unrivaled and yet scenes from Yosemite dare us to dream and art can help us to connect with nature and creation.

Painting my version of the Yosemite Valley took four hours. The natural scenery is so sweeping you need time to scale the elements. The perspective in painting the Tunnel View is difficult.

My goal in this impression was not extreme detail, but to ensure I matched the values of the scene from from reference photo. I sought to add hints of browns and lighter tones in the rock to represent the lighter values in the reference photo.

Overall I’m satisfied with the painting and will have it on my Etsy page soon.

Yosemite, like Yellowstone (Grand Canyon of Yellowstone) is a place I will continue to paint time and again. Each day and each season offers new inspiration. I hope you enjoy this painting.

Merced River, Yosemite Valley, Albert Bierstadt (American, Solingen 1830–1902 New York), Oil on canvas, American
Albert Bierstadt painting at The MET

King’s Canyon National Park:

King’s Canyon is known as a mini-Yosemite – it is vast and beautiful with jagged peaks and the gorge of a chiseled canyon. In searching for a reference photo, I noticed the clear blue water of King’s Canyon’s back country lakes. I wanted this to be a reflection of the park.

I focused on building layers of light grey and browns for the peaks – with a dusting of snow (Titanium White and Iridescent White + Phlatho Light Blue). The lake was an emerald clear green so I used lighter blues and greens to create this scene.

To learn more about the park click here

Channel Islands:

I have always dreamed of visiting Channel Islands National Park – which is a ferry ride off the coast of Southern California.

I took my inspiration from this image of Cathedral Cove

Crystal clear water, kelp forests, sea caves, sea birds, and sea lions all may be seen from the Cathedral Cove overlook on East Anacapa.

My painting is meant to be an impression and not at detailed as the reference photo -but I wanted to work on the values of the island stone and deep impenetrable blue of the ocean.

To learn more about the park – click here

Art for sale on Etsy – by purchasing Fresh Art by Adele – you support an artist to purchase additional supplies and run her blog 🙂 Thank you

Painting through the National Parks, Uncategorized

Painting through the National Parks: Utah Dreaming

Arches National Park impression(above)…If you like my art you can email me or go to my Etsy page

Utah is a land of dramatic vistas, tantalizing colors and otherworldly landscapes that invite travelers to explore, relax and experience God’s artistry. Utah is home to the ‘Mighty Five’ – five stunning national parks including: Zion, Arches, Bryce, Canyonlands and Capitol Reef.

I am grateful to have visited all of Utah’s national parks multiple times. I first traversed the wild landscapes in college during a cross country road trip. My favorite memory is sleeping under the stars at Capitol Reef National Park.

My mom and I spent two weeks in Utah during a road trip in 2014. We loved camping at Zion National Park (in March) at Watchman. The campground is in the shadow of ‘The Watchman’ near the entrance of Zion Canyon. We also spent time in Bryce Canyon at Ruby’s Best Western.

When I got my job at Qualtrics – a key motivator was the ability to travel to the Utah office (I’m based in NC) periodically. I loved the fact Qualtrics included the outdoor philosophy into their business model and experience management focus.

This weekend I am enjoying a NC snow day ‘Painting through the National Parks’ focusing on Utah’s Mighty Five. I started off with impressions of heavenly Zion National Park and Arches National Park

*I will be blogging about Utah Parks in on my sister site (adelelassiter.com – Travel Blog) in February and sharing my favorite stories and tips about Utah’s Mighty Five.*

Arches National Park:

Located just outside of Moab in eastern Utah, Arches National Park has the distinction of having the largest concentration of natural arches in the world – more than 2000.

Arches is one of my favorite places to paint because i love the bright colors – vibrant hues of oranges and sand yellows, against the cool blue to mud colored jagged La Sal Mountains. It is an otherworldly place – you imagine God hand carving the canyon and ancient peoples living in the shadow of the arches.

This is my latest painting of Arches Delicate Arch. This is a winter scene. I love the snow contrasting the orange red of the rocks.

This painting took roughly 3 hours to complete. I started with a grounding color (ultramarine+q magenta+unbleached titanium). I then built the arch layer by layer. When I paint I focus on values. As a perfectionist I used to get frustrated when paintings don’t come out exactly like the realistic picture – but I’ve learned to let that go and focus on painting what I see – even if it seems irrational. If the snow looks blue – add some blue. If you mess up it is okay! Play with the paint and learn.

A big tip I have in my painting journey is that even beginner painters need to invest in the right materials. I used to use student grade paints because they were cheaper and the colors looked good – but they are hard to paint with an you have to use an entire tube practically for one painting. Same with brushes – using a cheap brush means you brush hairs get on your paintings and will break. I now only purchase quality brushes and they last.

My favorite brushes: Silver Brushes (they last forever if you clean them and are ideal for my landscapes); Raphael – just discovered this brushes and they are great for grounding the paint (painting the background); Princeton; Jerry’s Artarama Soho brushes.

Best places to purchase: Amazon (of course); Jerry’s – great paint store; The Brush Guys

Arches National Park

Zion National Park:

Located in southwestern Utah – Zion is ‘heaven’ on earth. Words won’t convey the majesty of Zion. The canyon is glorious and mysterious – a canyon of wonder and adventure. To learn more about the park click here.

My mom and I visited Zion in March – the offseason. In the summer Zion is so crowded they have a ticketing system and limited vehicle traffic (visitors rely on shuttles). If I return it will be in the off season because it was quiet -and I could really explore the hiking trails without congestion.

The only issue of visiting in winter/early spring is it can get cold. But the dry air and bright sun keep it manageable during the day. If you are camping (we were) – just make sure to have a negative zero sleeping bag. It got down to 17 degrees and I still felt warm.

No photo description available.
My photo from our trip